“He dwells alone:” The Image of Completeness in the Self in Cowper’s “The Snail”

Abstract

Following the critical lines of Psychoanalysis and Existentialism, the present study aims at conveying how William Cowper, the much acclaimed English poet of the 18th century, presents in his 1799 poem “The Snail” the image of an individual possessing completeness in the self. Not only is Cowper’s snail content with life in seclusion, but also abhors the intrusion of an outsider in its private domain. The article aims at investigating how the snail’s world of completeness bears both the somatic and the psychic dimensions and also how the creature exists in that world narcissistically. Concomitantly, the article would probe into the association between the world of the snail and the poet’s longing to attain sufficiency in the self at a time he is left alone. It would be conveyed how the snail of the poem embodies the poet’s projected self in its idealised form, something which following the French psychoanalyst, Jacques Lacan can be called the poet’s “ideal ego,” than an insignificant creature engrossed merely in nourishment on vegetation.